Nancy Sinatra – Sugar

LP Sugar Town Pink edition

 

A1 – Sweet Georgia Brown – 4:01

A2 – Vagabond Shoes – 2:03

A3 – Oh! You Beautiful Doll – 2:51

A4 – Hard Hearted Hannah – 3:35

A5 – All By Myself – 3:03

A6 – Coastin’ – 2:46

A7 – Mama Goes Where Papa Goes – 2:33

B1 – Let’s Fall In Love – 3:38

B2 – What’ll I Do – 3:01

B3 – Limehouse Blues – 3:02

B4 – Sugar Town – 2:27

B5 – Button Up Your Overcoat – 2:26

B6 – My Buddy – 3:04

B7 – In Your Time – 2:40

B8 – Leave My Dog Alone – 2:12

 

The definitive vinyl reissue of Nancy’s iconic 1967 album

Contains the hits “Sugar Town,” “In Our Time,” and “Coastin’”

Features audio freshly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin

Includes two bonus tracks: the non-album singles “In Our Time” and “Leave My Dog Alone”

Vinyl pressed at RTI on black wax, "Sugar Town" pink wax, & "Let’s Fall In Love" pink & white swirl wax

Beautifully packaged and expanded gatefold LP with 20-page booklet features Q&A with Nancy & GRAMMY®-nominated co-producer Hunter Lea PLUS never-before-seen photos from Nancy Sinatra’s personal archive

Release supported by worldwide press campaign in cooperation with Nancy Sinatra

 

Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy’s second highest charting album after Boots). It is a peculiar record that pairs one of Nancy’s biggest songs, “Sugar Town,” with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood.

 

Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time—both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come—all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.

 

Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time – both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come, all while firmly maintaining control over her career, her image, and her music.

As the eldest daughter of Frank Sinatra, Nancy was born into the spotlight. At 19, she made her professional debut in front of millions of Americans, appearing alongside her father and Elvis Presley on the television special Welcome Home Elvis. Not long after, she released a series of singles. But those demure recordings didn’t reflect the real Nancy Sinatra – that Nancy would be re-introduced to the world just a few years later, thanks to an unlikely musical partnership with songwriter and producer Lee Hazlewood. When the two artists had their initial meeting in 1964, Sinatra was newly-divorced and struggling to score a hit record amid the changing musical landscape. At the urging of her label, she met with Hazlewood – a 36-year-old songsmith from Oklahoma who had found success writing for guitarist Duane Eddy. Hazlewood auditioned material for Sinatra, including a song called “These Boots Are Made for Walkin’,” which he originally intended to record himself.

 

Sinatra, however, saw the song in a different light. Nancy “understood that a man brazenly chastising his partner for her misbehavior and threatening retribution… was too ugly and portentous for pop radio. When a woman performed the track – and Sinatra sang it with a kind of playful, admonishing growl – it became an empowerment anthem, promising dignity and control in the face of betrayal. There’s something nearly flirtatious in her delivery: you’re trouble, but I’m trouble, too. Somehow, she made ‘Boots’ radical.” With Hazlewood as producer, Sinatra went into the studio with Billy Strange and other members of the legendary Wrecking Crew to record the song – along with a handful of pop covers and originals – for her debut album, Boots. Gone was the prim brunette singer, and in her place was a confident, fashion-forward new star with a commanding contralto voice and eye-catching platinum hair. Released in 1966, Boots was a Top 5 album, thanks to its brazen title track. Sinatra scored a No.1 hit on both sides of the Atlantic with “These Boots are Made for Walkin’,” which earned three GRAMMY® nominations and sold over a million copies of the single. As a testament to its enduring, multi-generational appeal, “Boots” has inspired countless covers throughout the decades, including those by Loretta Lynn, Kacey Musgraves, Billy Ray Cyrus, and Jessica Simpson.

 

While “Boots” became Sinatra’s signature song, she and Hazlewood were just at the beginning of their creative journey. Soon, they returned to the studio, notching two more Top Ten hits with “Sugar Town” and “How Does That Grab You, Darlin?”, and recorded their first of many duets, titled “Sand,” for Sinatra’s sophomore effort How Does That Grab You? (1966), which also featured a cover of the Sonny Bono-penned tune “Bang Bang (My Baby Shot Me Down)” ─ a breakthrough hit for Cher earlier that year. Accompanied only by Billy Strange on guitar, Sinatra’s sparse rendition stood in stark contrast to Cher’s orchestrated arrangement. Decades later, the haunting recording gained a new legion of fans when it appeared in the opening credits of Quentin Tarantino’s 2003 film, Kill Bill Volume 1. As Sinatra’s star continued to rise, she was tapped to perform the theme song to the 1967 James Bond film, You Only Live Twice. A rare honor, Sinatra traveled to London for the session, where she worked with film composer John Barry. Not long after, she recorded a stripped-down, single version of the song with Hazlewood.

 

Each time Sinatra recorded a new album, the tracklist inevitably contained a duet or two with Hazlewood, including “Summer Wine” (Nancy in London) as well as “Jackson,” and “Oh Lonesome Me” (Country, My Way). It was a natural evolution, then, for Sinatra and Hazlewood to release entire albums together. The first was 1968’s Nancy & Lee, which blended country, rock, psychedelia, and pop on tracks like “Some Velvet Morning” and “Lady Bird.” They followed with 1972’s Nancy & Lee Again, which boasted such highlights as “Paris Summer” and “Arkansas Coal.” Over the years, these offbeat duet albums have become lauded cult classics. Pitchfork included Nancy & Lee on their “Best Albums of the 1960s” roundup, while NPR proclaimed that “[Nancy’s] work on Nancy & Lee not only is some of the best that she’s ever recorded, but it proved that she would hardly allow herself to be pigeonholed… She made it clear that she was capable of so much more.” Though Hazlewood’s relocation to Sweden at the turn of the 70s would halt the progress of further collaborations, the duo reunited sporadically over the years, including in 1976 for a dreamy cover of “(L’été Indien) Indian Summer.”

 

In the mid-70s, Sinatra made the conscious decision to step back from the industry and focus on her family. Although she would return to the studio in the 90s, the artist had already amassed an impressive catalog in less than a decade – including seven solo albums and her two collaborations with Hazlewood. Sinatra’s legacy, however, continued to grow, as new generations discovered her music. Over the years, she has been cited as an influence by countless artists, including Sonic Youth, Morrissey, Calexico, U2, and Lana Del Rey. Most recently, Sinatra’s contributions to the industry were further recognized by her peers, when “Boots” was inducted into the GRAMMY® Hall of Fame. The honor, bestowed in January of 2020, recognizes “musical recordings of lasting qualitative or historical significance.” Today, Sinatra continues to be a passionate voice for a variety of progressive causes – most notably her support of veterans. A self-proclaimed feminist, Sinatra’s advocacy also extends to her fellow female artists.